So, Mesopotamia
You know, we had an amazingly productive week. We decided to scrap our previous opening and make some major changes, I’m getting a much better grip on Shar, we worked out the plot through to the mid turning point which is about 55,000 words, conveniently divided among us all, and we ate a lot.
I’m not sure why things always go faster when we’re together. It goes faster when I write with Bob, too.  Something about being together makes your synapses fire faster, I think.  There were a lot of, “Oooh, ooooh, we could . . . “ moments coupled with a lot of streamlining–I gave up Pia without a backward glance and Milki with a sense of real loss–and a lot of fusing of plot lines that came naturally as we reworked the plot.
Now all we have to do is WRITE it. Â But I’m jazzed.
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Welcome back! You were missed.
I second that Sheryl
Poor Pia! She’ll be just crushed. (Until she finds that last bottle of champagne and the leftover caviar…)
Who’s Milki?
Milki was Sam’s uncle and Kami’s nemesis.
We had a zillion characters and I loved them all.
Good, you’ll have some leftover characters, you can use them to write more books.
Kira - Good thinking!!
And you thought you were joking about Cats & Caricatures and Pharoahs & Ferrets…
You can bounce off each other in person and all that energy from the pancakes and chocolate gets channeled and shared between you and your Muses - yay Mesopotamia!
Giving up Pia was probably for the best, she’s more of a star than a supporting character anyway. Perhaps she’ll have her own book later.